Jeff lorber fusion step it up
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As an interesting aside, the band included a well regarded local r&b tenor player named Kenny Gorelick, who later rose to solo fame as Kenny G.ĭuring the mid-1980s, Lorber took a break from his life as a band leader and solo artist.
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Their unique combination of complex harmonies and compelling grooves quickly established them as a tight innovative band, first in the Pacific Northwest and then on national and international stages. The band-Jeff Lorber Fusion-released its debut self-titled album in 1977. He soon formed a band with some of the best local players and their music was a marriage of the jazz he had absorbed at Berklee and the funky r&b that was popular in his new home town. I was a big fan of Horace Silver, Bill Evans, McCoy Tyner, Wynton Kelly, and Red Garland, and I really admired what Weather Report was doing.”Īfter Berklee, Lorber moved to Portland, OR, where he discovered a vibrant scene and a community of musicians that were into Tower of Power, James Brown, Earth, Wind & Fire, as well as such r&b jazz artists as the Crusaders, Headhunters, and Billy Cobham.
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“Along with studying the history of jazz piano, and jazz music in general,” he says, “I was very influenced by both Herbie Hancock and Chick Corea. Lorber remembers his Berklee education as a crash course in jazz. Her other students included Keith Jarrett, Chick Corea, Herbie Hancock, Hal Galper ’57, and Kenny Werner ’73. A large percentage of musicians I come in contact with who have had Berklee experience is always surprising.”ĭuring his time at Berklee in Boston, he studied with the renowned piano teacher Madame Margaret Chaloff whose groundbreaking approach to piano technique was revered far and wide. I was lucky to meet and play with John Scofield ’73, who was already an incredible guitar player, and keyboardist Greg Hawkes ’72, who went on to great success with the Cars. “Besides the music education, I found that hanging out with all the talented musicians and finding out what they were listening to was just as valuable. “I was very lucky that I ended up at Berklee, and what I learned about harmony, improvisation, and arranging there is the backbone for how I approach music,” Lorber says. Lorber told Cole that he was about to leave for CalArts to study music and Cole’s response was, “Why are you going there? You should be at Berklee.” Lorber remembers striking up a conversation with Richie Cole ’67, one of the alto saxophonists. As luck would have it, the Buddy Rich Band was performing that night in the group’s hotel. He applied and was accepted to California Institute of the Arts (CalArts).īefore he left for California, he and some friends went skiing in the Pocono Mountains on New Year’s Eve of 1970, and got socked in by a snowstorm. He played in a number of bands during his high school years and decided to pursue his growing passion for music in college. Growing up in the same Philadelphia neighborhood as Randy and Mike Brecker, Lorber was surrounded by music. One such moment for Jeff Lorber happened in a snowstorm.
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In these moments, as if at a crossroad, choices are made that have a lasting impact on everything that follows. Our path in life can often be defined by a small number of key moments.